Two distinguished and influential artists, photographer Nathan Lyons and poet Marvin Bell, who first met in 1955,
have now collaborated to produce a highly original conversation between photographs and poems. As Mr. Bell says in his introduction, “...the idea was that the photographs and poems
would not be illustrations of one another. Rather, each photograph would create a perimeter. Each poem would look over its shoulder.”
Lyons is well known for his photographic sequences carrying sociopolitical overtones. Bell is the creator of a kaleidoscopic
poetic form with a speaker who is “alive and dead at the
same time.” In Whiteout, Lyons and Bell have created something powerful and unique.
Hardcover Edition and Collector’s Limited Edition of Whiteout. The
Collector's Limited Edition is published in an edition of only 20 signed and numbered copies. It comes with a photograph by Nathan Lyons at a price of half of Lyons' regular print prices.
Lodima Press books are works of art in themselves.
— Stephen Perloff, Editor / Publisher, The Photograph Collector
Books by Photographer - Robert Adams, Hans Bol, Marilyn Bridges, Paul Caponigro, Keith Carter, Paula Chamlee, Carl Chiarenza, Linda Connor. Peter
Elliston, Larry Fink, Eric Lindbloom, Elaine Ling, Alejandro Lopez De Haro R., Bill Lowenburg, Nathan Lyons, Douglas Mellor, Richard Copeland Miller, Nicholas Nixon, Michael A. Smith, George
Tice, Arthur Tress, Brett Weston, Edward Weston
Lodima Press Portfolio Books - An ongoing series of beautiful, yet affordable photography books of previously unpublished work by leading
and emerging contemporary photographers, including Robert Adams, Paul Caponigro, Keith Carter, Larry Fink, Nicholas Nixon, George Tice among others.
The Portfolios of Brett Weston - A nineteen-volume series. Brett Weston believed passionately in the power of his original prints
and chose the portfolio as the way to reach an expanded audience while still maintaining control over image quality. The reproductions in their rich detail, tonal scale and color, surface
quality, and aesthetic appeal, are almost indistinguishable from the original prints.
